Posts Tagged ‘writing’

The Crossword Century: 100 Years of Witty Wordplay, Ingenious Puzzles, and Linguistic Mischief for Gotham

3 July, 2014

Amusing and informative
— Pultizer-winner Jonathan Yardley, Washington Post

such a fun read
— Dinesh Ramde, Washington Times

the_crossword_century_alan_connorMy book about the fun of crosswords, The Crossword Century: 100 Years of Witty Wordplay, Ingenious Puzzles, and Linguistic Mischief, has been published by Gotham.

A couple of responses…

“Alan Connor’s Crossword Century is a fun and fascinating tale of language, commerce, culture and play. Before reading this book, I didn’t have a clue about the crossword’s checkered past. Now I can see its extraordinary future, too.”

— John Pollack, author of The Pun Also Rises and Shortcut: How Analogies Reveal Connections, Spark Innovation and Sell Your Greatest Ideas

“If you love language and history and marvel at the genius of puzzles, codes, and game design, Alan Connor’s deep dive into the crossword will keep you smiling and eagerly turning pages. Connor playfully explores the history of the beloved, gamified fever dream of sentences, definitions, letters, and words that is the modern crossword and reveals the dance that strange invention has enjoyed with its caretakers across history. If you adore words and wordplay, if you see language as an endless mutating jungle of puzzles and experimentation, you need this book in your life.”

— David McRaney, author of You Are Not so Smart and You Are Now Less Dumb

…some press…

…and the reviews of the British edition as a word cloud:

two_girls_connor_reviews

It is available at your local bookshop, or at IndieBound, Amazon, Barnes & Noble, Powell’s, Books-A-Million, The Book Depository, iTunes, and so on.

And… it contains a puzzle by Brendan Emmett Quigley.

Listen: Think, from KERA

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Ary Barroso’s Aquarela do Brasil for BBC News

25 June, 2014
060812football.JPG

A piece for the BBC News Magazine about Aquarela do Brasil:

One rainy night in 1939, he wrote the opening lines of Aquarela do Brasil (Watercolour of Brazil): “Brasil, meu Brasil brasileiro.” This translates as “Brazil, my Brazilian Brazil”. Never have four words been more Brazilian, before or since.

The censors had issues with some colloquialisms and a folksy reference to tambourines, but Barroso persuaded them that his “samba exaltacao” was modern and patriotic enough to meet their exacting requirements.

I thoroughly enjoyed Misha Glenny’s radio documentary The Making of Brazil, Bryan McCann’s book Hello, Hello Brazil: Popular Music in the Making of Modern Brazil and Scott L. Baugh’s reference work Latino American Cinema: An Encyclopedia of Movies, Stars, Concepts, and Trends. I am indebted; they are recommended.

My favourite versions:

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And here’s that Disney, and Ze Carioca alive and well in 2014:

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Stevie Wonder’s Another Star for BBC News

7 June, 2014
061201star.JPG

A short-form piece for the Beeb on Stevie Wonder’s Another Star, the theme tune for the BBC’s World Cup coverage:

Another Star closes side four of Songs in the Key of Life – the very end of a four-album run in which Wonder relentlessly outdid himself. He had originally intended to follow his previous, Fulfillingness’s First Finale, with a sequel.

Fulfillingness’s Second Finale was to be a darker, socially conscious experience, but Wonder’s ambition overtook him, and he spent two years putting together a double album (with bonus single) instead.

No space this time for a collection of cover versions, so here they are.

With the Tokyo Philharmonic:

Salome De Bahia:

Caron Wheeler of Soul II Soul, Afrodiziak:

Kathy Sledge of Sister Sledge:

And, of course, with Nile Rodgers and Daft Punk:

Two Girls, One on Each Knee: The Puzzling, Playful World of the Crossword | Penguin

5 June, 2014

My book about crosswords, Two Girls, One on Each Knee, is out today as a paperback.

Two Girls One on Each Knee

It costs no more than £8.99, and I have removed an error, one concerning the PG Wodehouse story with the strawberries. It now begins with some commendations:

‘Connor’s wry, good-natured tone and his commitment to the serious business of play make him the perfect guide to a great pastime’ John Gallagher, Telegraph

‘Alan Connor’s charming, fascinating history of how the crossword went from a space filler in the back section of an American newspaper to one of the world’s most ubiquitous and addictive habits – he estimates that in Britain some 14.7m people do a crossword at least once a week – is the guide you have been waiting for. In a single, gloriously decipherable chapter he lays out with perfect clarity the entire range of rules and devices through which cryptic clues work their magic’ Robert Collins, Sunday Times

‘Connor’s scholarly knowledge doesn’t stop him extolling the vocabulary of The Simpsons. The solution to the title, by the way, is ‘patella’.’ Ben Felsenburg, Metro

No crossword addict, be they a compiler or a solver, can ignore itAlan Taylor, Herald

‘Connor’s book is cleverly constructed around an initial cryptic crossword in which each clue provides the title of a chapter. And each chapter can be read independently of the others. There is something to entertain even the most infrequent dabbler, from a primer on how to actually do a cryptic crossword to the puzzle’s famous fans – the Queen, Sepp Blatter and Frank Sinatra among them – and its connections with the trains (one line in the US used to carry dictionaries)’ Carl Wilkinson, Financial Times

‘The brilliant new book on crosswords . . .  Delivers fun galore whether you’re a doer or a duffer . . . Two Girls, One on Each Knee consists of a series of short, sparky chapters on topics as various as ‘Crosswords and detective fiction’, ‘Can machines do crosswords?’ and ‘The many ways of being rude in a crossword’. . . And this is also the guiding principle of his book — it favours the byway over the highway, and can never say no to a red herring’ Craig Brown, Mail on Sunday

‘This book shows you, among other things, how speaking aloud unpromising phrases such as ‘Tooting Carmen’ and ‘Servants Tease’ can yield obvious answers, and how sociable the crossword is. Of course, it can be tackled alone, and in Brief Encounter, it represents the antithesis of the longed-for romance, but it’s also perhaps fun to tackle with two or more heads rather than one’ Michael Caines, The Times Literary Supplement

‘Connor writes with great flair . . . it is nice to dip in and out of his entertaining essays’ Don Manley, Church Times

‘It is the relationship between setter and solver, between words and fun which provides the narrative thrust for Two Girls, One on Each Knee … ‘The experience of reading this book’, Connor says in the preamble, ‘should be equivalent to that of solving a cryptic puzzle…’ In fact it is rather better; it does not demand as much of the reader as a good puzzle does of the solver, but it delivers far more of its own accord. It is witty, charming, encyclopaedic and highly readable – and it can be read in any order. Take a chapter or a paragraph, a puzzle or a clue. In each the reader will find something to intrigue and delightSandy Balfour, Spectator

‘A wonderful little book that looks at the fascinating, often baffling world of the cryptic crossword. What connects Bletchley Park and the Daily Telegraph? And why should you always start in the bottom right-hand corner? Most of all, it’s a celebration of languageJon Stock, Daily Telegraph

Delightful . . .
Verdict: Top rating for odd number of celebrities (4,5)’ Brandon Robshaw, Independent on Sunday

A joyous paean to the history of puzzlement and an essential guidePD Smith, The Guardian

Delightful celebration of crosswords’ The Observer

‘A glorious guide that explains the history and universal appeal of the crossword’ Sunday Times, 100 Best Books for the Beach

You can buy it from your local bookshop, or from Penguin, Waterstones, Amazon, on Kindle, via Google etc…

Charlie Brooker’s 2013 Wipe for BBC Two

28 December, 2013

I am a proud member of Team 2013 Wipe, the fruit of whose toil will be on BBC Two tonight:

Update 6 Jan: And the second series of Weekly Wipe begins on Thu 9 Jan on BBC Two.

A Young Doctor’s Notebook and Other Stories

18 November, 2013

Series two of A Young Doctor’s Notebook begins this week.

Elvis Costello’s Shipbuilding for the BBC

7 November, 2013

docks

A short-form Smashed Hits piece for the BBC News Magazine about Shipbuilding, pegged to the closure of the Portsmouth shipyards.

It would have sounded very different if Costello had written the song for himself – or written the music. Shipbuilding was originally a piano piece written by Madness’s producer Clive Langer for a gentler performer, Robert Wyatt. Langer bumped into Costello at a party and suggested they go out to his car and listen to a cassette of the tune. Costello subsequently called from an Australian tour to say he had “the best lyric I’ve ever written”. Wyatt’s song was made – and in 1983 Costello recorded it himself.

No room, sadly, for Chet Baker playing at London supper-and-jazz club The Canteen, approached by Costello and offering to play on EC’s version for scale. “I think we probably doubled it,” remembered Costello.

Two Girls, One on Each Knee (7): The Puzzling, Playful World of the Crossword

7 November, 2013

My book to mark the centenary of the crossword is published today by Penguin. Here it is…

2girls_kew_quotes03

…in Kew Bookshop.

Reviews, etc: Sunday Times; Mail on Sunday; Spectator; Telegraph; Scotsman; Financial Times; Metro; Times; Herald; Globe & Mail.

Hear me: on The Verb and on Weekend.

From the blurb:

• How have crosswords helped international relations, caused a strike by welders, become embroiled with espionage and even caused a moral panic?

• What have Frank Sinatra, P. G. Wodehouse and Stephen Sondheim got to do with the humble grid?
 
• What connects Bletchley Park and the Daily Telegraph?
 
Two Girls One On Each Knee• Which famous fan starts each day with the Telegraph crossword and kippers?

On 21 December 2013, the crossword puzzle will be 100 years old. In the century since its birth, it has evolved into the world’s most popular intellectual pastime. In Two Girls, One on Each Knee, Alan Connor celebrates the wit, ingenuity and frustration of this addictive sport and how it has grown.
 
The story of the crossword takes us from the beaches of D-Day to the banks of the river Neva, via Fleet Street and the Old Bailey. It involves the most fiendish setters, such as Torquemada and Ximenes; famous fans (both real and imaginary) from P. G. Wodehouse to Frank Sinatra, Inspector Morse to Reggie Perrin. You’ll discover how crosswords have featured in films such as Brief Encounter and songs by Madness and Ian Dury; how they intersect with espionage, jokes, class and morality; and how they reflect back how our language and behaviour has changed over the last century. You’ll also discover how listening to white noise can help you do a crossword, why you should start in the bottom right-hand corner, and why cryptic crosswords are actually easier than quick (honestly).
  
This is a book about language and how it speaks to itself, twisting and transforming through cryptic clues before resolving itself, with a bit of luck, into an answer. Where else would you find words such as Intussuscept, Obtemperate, Zibet and Raisiny?

You can buy it from your local bookshop, or from Penguin, Waterstones, Amazon, on Kindle, via Google etc…

Two Girls, One On Each Knee: A Crossword Book for Penguin

3 June, 2013

crosswords

My book about the crossword, Two Girls, One On Each Knee (7), has a publication date of 7 November 2013.

Charlie Brooker’s Weekly Wipe for BBC Two

28 January, 2013

I am a proud member of Team Weekly Wipe, which starts on BBC Two on Thursday evening at 22h00.

Update 01-02-2013: Here’s the programme, while it lasts:

A Young Doctor’s Notebook DVD

7 January, 2013

Good news for those who don’t own a squarial: A Young Doctor’s Notebook is available today on DVD from BBC Worldwide and Big Talk.

A Young Doctor's Notebook on DVD

Charlie Brooker’s 2012 Wipe for BBC Two

1 January, 2013

I am a proud member of Team 2012 Wipe, the fruit of whose toil will be on BBC Two tonight:

Update 02-01-2013: Here’s the programme, while it lasts:

A Young Doctor’s Notebook: How We Adapted Mikhail Bulgakov

5 December, 2012

Daniel Radcliffe and Jon Hamm in A Young Doctor's Notebook

A piece for the Guardian about A Young Doctor’s Notebook: how we adapted the short stories for the screen and why Daniel Radcliffe and Jon Hamm are playing the same nameless doctor:

Our focus was the emotional core of the hospital tales: the hardening of the junior medic. In Bulgakov’s book, in interior monologue, the young doctor wonders how a more experienced practitioner might react, wishing he had the composure of his future self. But as the story Morphine warns us, that older self may not be wiser; he might, in fact, be a junkie. We wanted to incorporate that story: on screen, the older doctor (Hamm) is right there for the younger (Radcliffe) to talk to; but he turns out to be a damaged man: nostalgic, regretful, not above the occasional pratfall.

A Young Doctor's Notebook - as seen on TV

An extra treat in the past week has been seeing Hugh Aplin’s and Michael Glenny’s translations now sporting AS SEEN ON TV labels

Mark Chappell writing A Young Doctor's Notebook

Mark Chappell in the office where we wrote AYDN

A Young Doctor's Notebook design department

In the design department

Shaun Pye as Yegorych

Shaun Pye relaxing on set

Models for the set of A Young Doctor's Notebook

Models for the hospital set

Alan Connor and Daniel Radcliffe

‘The cultured miller’ asks YD for a diagnosis

A Young Doctor's Notebook scripts

Oxford Textbook of Medicine...

A Young Doctor's Notebook

A Young Doctor’s Notebook for Sky Arts

19 May, 2012


I am working on an adaptation of Mikhaíl Bulgakov’s Записки юного врача for Big Talk and Point West Picures, as A Young Doctor’s Notebook. It is part of Playhouse Presents….

The writers are Mark Chappell, me and Shaun Pye and the medium is comedy-drama. It’s set in 1917; while some press has inferred that the background is the first world war or the Russian revolution, the setting is in fact snow. Lots of snow.

More details in the Guardian

Harry Potter star Daniel Radcliffe and Mad Men’s Jon Hamm [will] play the same doctor at different stages of his life in the four-part series, A Young Doctor’s Notebook, by Russian writer and playwright Mikhail Bulgakov.

Hamm will play the older man, who has a series of ‘bleakly comic’ exchanges with his younger self, played by Radcliffe.

…and I am sad that Variety’s piece includes no puns or jargon.

10 O’Clock Live for Channel 4

19 February, 2012

I am back at 10 O’Clock Live. When it isn’t live, you can again watch clips, like this one people like [NB: the final “…unless you count all those times they had a go at witches” is unforgivably omitted and archivists should note that what sounds like “Tory boys” is in fact “toy boys”]:

Screenwipe Review of the Year 2011 for BBC Four

29 December, 2011

I am a proud member of Team Screenwipe 2011, the fruit of whose toil will soon be on BBC Four:

Louis Armstrong’s What A Wonderful World for the BBC

10 December, 2011

Mont St Michel

A piece about Louis Armstrong’s What A Wonderful World for the BBC.

It’s also irrepressibly public-spirited, people shaking hands on the street are, apparently, ‘saying I love you’ – illustrated in the Attenborough video, oddly, by two hippopotamuses fighting each other in the Okavango river.

And this is not the first time What A Wonderful World’s generosity of spirit has been juxtaposed with less-than-cheerful imagery.

No room, sadly, for Armstrong’s 1957 refusal to join a goodwill visit to the Soviet Union, saying: “The way they are treating my people in the South, the government can go to hell.”

Sue Perkins’ Dilemma on BBC Radio 4

20 November, 2011

I wrote for this Radio 4 programme, which was invented by @captainward and which you must listen to:

Party Conference Music: Primal Scream or Dandy Warhols?

5 October, 2011

Staithes rocks

A rapid-response piece for the Guardian about Primal Scream’s outrage over being played at Conservative party conference:

“But whoever initially misidentified the music must have a tin ear. Bohemian Like You sounds like a Rolling Stones megamix with an emphasis on One Hit (To The Body) off Dirty Work, while Rocks sounds like a Stones megamix with an emphasis on Little T&A off Tattoo You.”

I am also compiling a Big List of all music played at all party conferences, politicians’ Desert Island Discs, etc. This will help.

Autumn Asparagus: Are ‘Reverse Season’ Spears the Same?

12 September, 2011

autumn asparagus

English asparagus is back for a new autumn season; I test the spears and tips for the Guardian.

I have happy memories of every spear and tip I ate between St George’s Day and Midsummer’s Night, but as the ancient folk maxim has it: “Never eat asparagus while watching Strictly Come Dancing.” And contemplating eating asparagus in September, it struck me: the elation I feel when the vegetable appears is bound up with the way it heralds summer. Pondering the changing of the seasons at this time of year is likely to throw you into a panic over Christmas arrangements.

So I put Santa out of my mind and the spears onto a plate.